Models For the Familiar
Models For the Familiar By Rebecca Shiffman In New Hat (2024), a crocheted yellow sun hat drapes dramatically over the face of a woman in a floral bathing suit, her figure set against a serene expanse of lake, trees, and sky. But this tranquil scene is not confined to one work; it recurs with subtle variation across Sebastian Blanck’s latest series of X paintings. Extending beyond the conventional confines of portraiture, this body of work is a phenomenological study of presence and perception, echoing the aesthetic rigor and mindset of Claude Monet in his series of wheat stacks, cathedrals, and water lilies. Like Monet, who pushed the depiction of his subjects beyond mere objecthood to reveal them as manifestations of temporal and atmospheric flux, Blanck transforms the figure into a sustained inquiry of surface, pattern, and abstract form. All the works are of Blanck’s wife, the artist Isca Greenfield-Sanders, and [...]